Khalid and Normani are again in conjunction with a brand new track, “Non-public,” six years after having a Billboard Sizzling 100 best 10 hit with “Love Lies.”
The pair’s contemporary collab, first introduced by means of Khalid on social media, will likely be launched this Friday (Dec. 6).
“The door is open/ You don’t even want a key/ You’ve been pushing on me so relentlessly,” Normani sings at the monitor, which Khalid teased on Instagram on Sunday (Dec. 1). “12/6,” he captioned the “Non-public” clip.
The Insta video is filmed on a photograph shoot set, with the duo posing in entrance of a inexperienced backdrop. They take a smash to have interaction with the digital camera, bringing the real vibes of the monitor to lifestyles.
The clip has a candid really feel, with a smiling Khalid lip-syncing alongside to their recording: “So sensual and/ You understand I will by no means keep mad at her,” simply ahead of turning the shot to Normani, who occurs to be improvising some flawless strikes to the one.
“Put your frame on my frame/ Get non-public,” they sing in combination to the monitor that welcomes a dating getting bodily.
‘Tis the comfortable season, and the timing feels excellent for “Non-public,” their 2d duet. It follows the summer season free up of Normani’s debut album, Dopamine, and Khalid’s 3rd studio album, Honest.
Six years in the past, Normani instructed Billboard that Khalid is “one among my closest buddies.” Of “Love Lies” — which used to be now not just a best 10 hit at the all-genre Sizzling 100 in 2018, but additionally reached No. 1 at the Pop Songs airplay chart — she mentioned, “We knew that the track felt just right, however we didn’t essentially know… you hope for the most productive, however you actually don’t know. So it’s simply actually cool to look it hovering and spreading its wings and doing so superb and connecting with such a lot of folks.”
Watch Khalid and Normani’s lovable teaser for “Non-public” under. The track will likely be to be had on track streaming products and services on Dec. 6.





















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