Photograph Credit: Y Magzine ES Country WAKEONE
Jang Haneum and Kang Woojin’s characteristic in Y Mag’s Iciness 2025 factor (Factor 19) is a masterclass in fashionable Korean editorial style, mixing the poetic spirit of juvenile with the sharpness of avant-garde styling. The pictorial, themed “Early life in Movement,” captures the duo in a sequence of dynamic and atmospheric photographs that evoke each motion and stillness, a duality that mirrors their emerging careers in song and leisure.
The Idea and Backstory
This shoot coincides with Jang Haneum’s first solo fan live performance, “Iciness Evening’s Wonderland,” including an emotional layer to the editorial. The mag frames their pictures as a visible narrative of transition—younger desires colliding with the realities of status, and the wonder present in that liminal house. The pictorial isn’t just a show of favor, however a tale of id and enlargement, with each and every body contributing to a bigger dialog about what it way to be younger and visual in fresh Korea.
Styling and Hair/Make-up Main points
The styling, led by means of Kim Sungdeok, is each subtle and experimental. For the primary glance, Jang Haneum wears a adapted, outsized wool coat in muted tones, paired with wide-leg trousers and minimalist leather-based boots, making a silhouette this is each at ease and complicated. Kang Woojin opts for a deconstructed blazer over a fluid silk blouse, suggesting a mix of vintage and fresh menswear. Hair by means of Hong Hyunseung is slicked again for Jang, whilst Kang’s is messed up for a extra carefree impact. Make-up by means of Lee Sukgyeong is modest, with cushy contouring and a focal point on herbal pores and skin, letting the themes’ expressions take heart level.
In next seems to be, the styling turns into bolder—Jang seems in a cropped leather-based jacket with asymmetrical cutouts, whilst Kang dons a monochrome tracksuit with steel accents. The hair is styled with texture and motion, and the make-up options delicate shimmer and ambitious brows, amplifying the editorial’s edgy undertones.






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