There are artists who put on style, after which there may be YEJI — who makes style really feel like a 2d language she has at all times been fluent in. This fall, Roger Vivier speaks it proper again to her.

An Autumn Constructed for Any individual Like Her
Roger Vivier’s Autumn 2026 marketing campaign arrives now not as a set announcement however as a declaration. Conceived by way of Inventive Director Gherardo Felloni, it’s the area’s maximum emotionally exact paintings in years — a find out about in stress and charm, in restraint that burns on the edges. And at its centre: YEJI, the ITZY chief who has spent the previous two years changing into one of the compelling style presences on the planet.
The partnership between YEJI and Roger Vivier started together with her appointment as Korea Logo Ambassador in early 2025, briefly deepening into an international function by way of November of that yr. She walked the Maison Vivier grand opening in Paris. She sat entrance row on the AW26 display in March 2026 at Paris Model Week. Every look tightened the inventive bond — till Felloni’s autumn imaginative and prescient and YEJI’s singular presence arrived on the similar coordinates.
From Debut to Dominant: The YEJI Arc
Hwang Yeji debuted with ITZY on February 12, 2019, arriving with a bunch constructed at the radical premise that youngsters must love themselves as they’re. It used to be a thesis that wanted a protagonist — and YEJI, as chief, was one instinctively. Her level presence used to be by no means polished into softness. It used to be kinetic, nearly feral in its precision, the type of efficiency power that doesn’t translate into phrases however stops a room.
By way of 2025 she had completed one thing tougher than a debut: she introduced a solo profession on her personal phrases. Her mini album AIR, launched March 10, 2025, arrived as a dismal electro-pop commentary — 4 tracks that moved via synth-pop dreamscapes into uncooked electronica. NME ranked the identify unmarried top-of-the-line K-pop songs of the yr, describing it as “one in all 2025’s maximum enjoyable surprises.” YEJI had written into her personal mythology, and the fad international leaned in nearer.

“YEJI has grow to be an icon for a brand new era of fashion-forward people, embodying a daring and fresh imaginative and prescient of favor which completely aligns with the Maison’s heritage of magnificence, creativity, and innovation.” – Roger Vivier — Reputable Observation


She Doesn’t Put on It. She Speaks It.
YEJI’s style tale hasn’t ever been about following a pattern cycle. From her early ITZY technology — sharp-edged streetwear shot via with planned rebel — to her appearances at Dolce & Gabbana’s Milan presentations, her Roger Vivier Paris entrance rows, and the 2026 Marie Claire shoot that stopped timelines international, she has handled each and every glance as a compositional selection. A sentence in an ongoing essay about identification, need, and gear.
Felloni understands this. His Roger Vivier has at all times been in regards to the alchemy of refinement — woven raffia and crystal buckles, adapted silhouettes and tactile surfaces that call for to be touched. YEJI’s autumn marketing campaign imagery performs this language fluently: the Maison’s heritage items — the Belle Vivier slingback, the RV-monogrammed equipment — aren’t props however punctuation marks in a visible tale she is writing in actual time.
MIDZY All the time Knew
There’s a explicit ITZY fan — a MIDZY — who has been calling YEJI a manner icon since 2019. The wider international is handiest now agreeing. The YEJI Day trending occasions on X, the strengthen campaigns coordinated throughout time zones, the fan edits that flow into earlier than reliable marketing campaign imagery even drops — those aren’t peripheral to YEJI’s cultural pressure. They’re central to it. The fandom and the artist are in a continual inventive loop, every reflecting the opposite’s easiest aspirations again.
The Roger Vivier world ambassadorship is not only a profession milestone — this can be a validation of what MIDZY had been pronouncing in vote casting threads and streaming events for seven years. YEJI’s level presence, her unwillingness to be flattened into a kind, her sheer exactness in the entirety she produces — it used to be at all times going to translate into this. Luxurious style didn’t uncover her. It after all stuck up.


Sound, Sight, and the YEJI Continuum
What makes YEJI singular within the present K-pop panorama is her refusal to let anyone medium outline her. She is a vocalist who writes her personal lyrics. A dancer whose choreographic intelligence informs each and every visible mission she enters. A performer whose musicality shapes how she occupies area — on level, in a marketing campaign body, at a Parisian photocall. AIR wasn’t only a debut EP; it used to be a proof-of-concept that her creative universe holds in combination throughout codecs.
The Autumn 2026 Roger Vivier marketing campaign continues this good judgment. Felloni’s inventive course and YEJI’s embodied artistry create a marketing campaign that purposes cinematically — much less a product show off than a brief movie about what it seems like to transport during the international with purpose. In an technology of K-pop this is more and more about visible world-building, YEJI isn’t constructing a global. She is the sector. The Maison merely gave it an overly stunning deal with.
“There are artists who carry out a glance. YEJI inhabits one. The adaptation is the variation between {a photograph} and a reminiscence.”
Kpoppie Editorial — Autumn 2026




こちらからフィードバックがありますか?こちらからお知らせください。日本語でも大丈夫です。
피드백이 있으신가요? 여기에서 알려주세요. 한국어도 가능합니다.
Credit & Rights
Newsletter: Kpoppie Mag — K-pop & Model Editorial
Writer: Pace Leisure Inc. Restricted, Japan / New Zealand
Editorial Route: Kpoppie Mag Editorial Crew
Marketing campaign in L’OFFICIEL SINGAPORE : Roger Vivier Autumn 2026 — conceived by way of Inventive Director Gherardo Felloni. Starring YEJI (Hwang Yeji), International Logo Ambassador, Roger Vivier. YEJI is a member of ITZY, controlled by way of JYP Leisure.
Marketing campaign Pictures: © Roger Vivier / All Roger Vivier marketing campaign imagery rights reserved to Roger Vivier (Tod’s Workforce). Reproduced for editorial observation functions handiest.
Editorial Textual content: © 2026 Kpoppie Mag / Pace Leisure Inc. Restricted. All rights reserved. This editorial content material is secure beneath the Berne Conference for the Coverage of Literary and Inventive Works. Unauthorised copy, distribution, or republication of this editorial in complete or partly, in any shape or medium, is precisely prohibited with out prior written consent from the writer.
Artist Credit: YEJI (Hwang Yeji) / ITZY © JYP Leisure. All artist-related emblems, pictures, and likenesses are the valuables in their respective rights holders.
Logo Credit: Roger Vivier is a hallmark of Roger Vivier (Tod’s Workforce). All emblem references are used for editorial id functions.
Kpoppie Mag is printed by way of Pace Leisure Inc. Restricted (Japan / New Zealand). For editorial enquiries: editorial@kpoppie.com · kpoppie.com
“There are artists who carry out a glance. YEJI inhabits one. The adaptation is the variation between {a photograph} and a reminiscence.”
Kpoppie Editorial — Autumn 2026
kpoppie.com





















You must be logged in to post a comment Login